Friday, October 14, 2011

The Theme is Travel

In the near future, I've got plane trips and blog tours. It's enough to send me into a tizzy. What has to be done before I leave for Mexico next week? Two weeks in Puerto Vallarta, lounging about breathing in the sea air, storing up Vit D the natural way, and doing my best to just hang loose.

And yes, I'll be taking my laptop. The mini one. I'm torn between hoping there's readily available internet or praying there isn't. After all, what better excuse to totally goof off? Sorry, but I just can't get to the internet easily.

Part of my goal is to get a really good handle on the next book in a series I'm writing. Maybe even start another one. But even more pressing, the day after I return I have a new release!

November 7 is the debut of my long awaited Romantic Suspense novel, Rachel Dahlrumple, by Shea McMaster. (That would be Morgan's sweeter side. The good twin, as it were.)

November 7 also is the launch date of a two week blog tour, celebrating the release of Rachel Dahlrumple. Or Rachel as the book is affectionately known.

So here's the schedule. There will be a quiz later, and I'll be asking for people to drop by.
As of this time, I'm only about half done writing the blogs. The interviews are done and I've only just begun to gather things to pack for my trip.
With all this traveling in the near future, both live and digitally, I'm feeling a bit frazzled and have started a check list.
  • Snow tires on car. Check. (It will snow any day now. Any day. There were ice crystals falling from the sky yesterday.)
  • Swimsuit, cover-up and hat - because I'm a red head who has been hiding from the sun for the past 6 years - Check.
  • Launch tour dates set. Check.
  • Sunscreen. Still need to buy.
  • Books for trip, both paperback and ebook. Almost check. Have the first four books of the Game of Thrones to read, in addition to several other selections.
  • Interviews written. Check.
  • Sandals and flip flops ready. Check.
  • Shorts and tops. Check.
  • Sundresses. Check.
  • Blogs written. Well, two down... not even close to check.
Ah, the list, it never ever ends. How do you cope with traveling? I do it so rarely, it's all one big adventure until I get to the airport. Lines. Pat downs. Worrying about what will be stolen from my suitcase once it leaves my hand. Long, long, long hours of sitting. Twenty hours from start to destination, if there are no delays.
Here's hoping the destination is worth the journey!
Morgan O'Reilly / Shea McMaster

Saturday, October 1, 2011

"Oh, I don't read."

A few days ago, I was chatting with a young woman who expressed an interest in being an author. We had talked about all the typical stuff: you have to write in order to be a writer; make sure you finish your project; have a lot of patience and a thick skin. She’d seemed to be solid and on track, until I asked her what the best book was that she’d read in the last year was. As an answer, she shrugged, waved her hand, and said “Oh, I don’t read.”



*crickets*

For a moment, all I could do was blink at her. Speechless. Completely speechless. I couldn’t for the life of me understand why she would want to be a writer if she didn’t even like to read.
See, any of us who love to write, loved to read first. Every author I know fell in love with the words, and the stories, and the story tellers. We each have the author(s) who captured our fancy and made us think I want to do this (Andrew Greeley and Nora Roberts, in case you’re wondering). We love to read as much – and sometimes more – than we love to write.
Is writing a cool profession? Oh, yeah. Not even going to try to lie. The other day, I was sitting outside, enjoying some late-season sun, reading a book, when a neighbor stopped by. With a smile, she called over “I thought you were working today!” I laughed along with her and decided to let it go, but truth of the matter is I was working. Reading other authors’ works is indeed part of my job. My first editor sent me several of Lucy Monroe’s books in order for me to notice how she developed her characters and resolved conflicts. My first agent had me reading category romances, to get a feel for how concise a story must be to be told in 50,000 words.
In spite of that, writing is hard work. It’s a skill, something that can be learned and honed. Starting with natural talent is hugely helpful, of course, but it doesn’t stop there. Instead, we work on how to develop characters, write fight scenes, build tension. We spend hours agonizing over our critique partners’ notes. We read dialogue out loud and study reactions in front of mirrors to literally see what we’re trying to describe. We pace, we bitch, we grind our teeth, and figuratively beat our heads against our desks trying to come up with the perfect turn of phrase. Our friends, significant others, and colleagues have learned “five more minutes…” actually means “go ahead without me, because we’re looking at hours before I can walk away from this scene.” When we’re writing, we stress over the words. When we aren’t writing, we stress over the lack of words. In between those two extremes are a plethora of other reasons to stress. Most of the authors I know have to squeeze writing time in and around a scheduled day job. It can be a heart-wrenching and all-consuming profession, and that’s before we put the finished product out there for Monday morning quarterbacking from total strangers. Why anyone would choose it when they don’t love the end result is beyond me. Except…
On this day in particular, I happened to be sitting on a deck overlooking the truly magnificent Priest Lake, in Coolin, Idaho. I have written all over the state of Alaska, from Kenai to Prudhoe Bay. I started a book in Mexico and finished it in Connecticut. Once people find out I’m a writer, they answer questions and tell me stories that they wouldn’t otherwise dream of telling a stranger. And let’s be honest; you cannot beat the writer’s commute.
Now, I still don’t understand why someone would choose to be a writer if they don’t love to read. I figure that would be akin to becoming an elementary school teacher when you don’t like kids. The idea of being an author is very different from the reality of being an author. But I will admit, I have been reminded of the allure, and that was good for me. There is nothing easy about this job. At the same time, if you love it – love reading the words, love writing the words, love it all – writing can indeed be worth it. Worth all of it.

--Pauline Trent

Monday, September 19, 2011

The Summer I was Twelve


Two Life Lessons I Learned the Summer I Was Twelve.



1) Don't ride your pony on the boardwalk.



I grew up in the Ozark Mountains, back when that was a remote place to live, similar in some ways to how the Alaska bush country is now. The nearest neighbors to our tiny house were down a fair distance down a narrow dirt road: two miles in one direction, and four miles the other way.



When I was twelve, I rode my bareback pony to the nearest town called Morrow, which was ten miles away. We went at a gallop most of the way, and when I arrived, sticky horsehair clung to my tan legs. My long hair was so tangled, my fingers got stuck when I shoved it back. I threw my shoulders back and let my bare feet swing in time with my pony's strides. I was proud of myself, ten miles was a long way to ride by myself!



The store had a marvelous boardwalk that ran the entire front it. I couldn't resist forcing my pony to climb up on it. Clompty-clomp. Back and forth. Hop off the boardwalk. Hop back on the boardwalk. Pete's hoof beats echoed with joyful magic--until Mr. Reed sprang out of his store and thumped my pony in the butt with a broom.



I stayed on Pete's back through his amazing circus pony sideways leap off the boardwalk into the middle of the street. A slow-moving car stopped short of running into us and honked, which didn't help Pete's mood. He charged into town yards, head tucked to his chest to evade the bit.



"Whoa Pete! Whoa!" He pinned his ears back and tore through grass and flowers, throwing hoof-shaped dirt clods behind him.



People yelled and shook fists at us, "Who are you! I'll call your mother!" Like I'd answer that while clinging for dear life to the back of a pissed-off pony. (Not that I'd answer at any other time, either.) It took a mile, stampeding back the way we'd come, for me to get Pete under control.



I never rode my pony on the boardwalk again, but did we ever return to town? Let's just say you can't trust a twelve-year-old girl and her pony to stay out of trouble.



2) Take care of your shoes, because your feet need them.



The summer I was twelve, I had no shoes at all. My mother, peeved at me for destroying the cheap canvas sneakers she always bought me, the only pair of shoes I owned, told me I could do without shoes that summer and learn to appreciate what her hard-earned money purchased.



This didn't seem fair. I was a country girl. I fed livestock, chased escaping pigs, rode my pony and went hunting. These activities can be hard on any kind of shoes, but three-dollar sneakers don't stand a chance.



Okay, so shoeless that summer, one day I chased a baby rabbit out into a small field that'd been brush hogged, which is how Arkansas farmers clear fields of weeds and bushes so grass can grow between the rocks.



When I was out in the middle of the field, I stopped to notice two things: the baby rabbit had disappeared and the bottoms of my feet were on fire. Dry and splintered brambles lay so thick on the ground no grass had managed to grow, to push up through the graveyard of briars. Some of the branch-sized stems were studded with barbs nearly as big as my little finger. How I'd managed to run into the middle of this field of dead thorns without excruciating pain is a mystery to this day.



The only way out was the way I'd come in.



Thorns impaled the bottoms of my feet with every step. I had new revelations concerning the suffering of Jesus Christ and his crown of thorns.



I moaned, squealed, and wept as every step reaped thorns piercing and sticking to the soles of my feet. I stood on one foot and lifted the other high to remove a harvest of briars. I must have resembled a wading crane--that cried.



After I got out, I sat for a while on the edge of the field and cradled my screaming, bleeding feet. Then walked a mile back home on bleeding feet through the woods and down the gravel road.



I learned to take off my shoes while running through mud puddles or feeding farm animals in the rain. They lasted forever, that next pair of shoes, until my big toe ate its way out the dirty canvas tip. Even my thrifty mother could see I needed a new pair before the condition of them fatally embarrassed her.



Today, I will sometimes look in my closet and count the pairs of shoes in there. And every one cost more than three dollars.

Veronica

Friday, September 9, 2011

Is Romance Writing Hazardous to Your Romance?

We all know the guy is the romantic genius in any romance worth its HEA. Our Hero, however alpha, knows his way around a florist’s shop, reads minds, and may not clean bathrooms but sure can scrub his girl’s back (among other things). But, I’m here to talk about real life. C’mon, no guy can read minds. Very few pick up flowers anywhere but Wal-Mart, if they remember the flowers at all. And if there’s a card to be had in the house, it’s been purchased by the girl.

Real women lament all the time a lack of (consistent) romance in their lives.

I’ve also heard from multiple reliable sources that men whose wives read romance reap many additional benefits and are much happier in, well, all areas than the average guy. In other words, if the wife does the research, the man wins again.

Men=Mars/Women=Venus stuff aside, it’s all good. Women may whine but, secretly, we like being the keepers of the keys to perfect romance.

But (there’s always a ‘but’) notice I said the happy men belong to women who read romance. I’ve come to believe the husband/partner/SO of someone who writes romance is in a different kettle of rosebuds altogether. For him, his woman might keep all the keys to romance, but she’s using them to open some other door – usually a door on page 147 or so.

I and, by some reciprocal property, DH, had that truth driven home this week when we celebrated our 37th anniversary. Don’t get me wrong, neither of us has ever forgotten the date, but back in the days before I was a real writer I was big time into special placemats for dinner, a steak or his fave meal on the table, and always a card and a gift on the plate. I unlocked the romance door and threw it open all the way.

Now I write romance. And along came September 7, 2011. DH worked overnight on the 6th and I was happily getting my H/h cozy. At 12:02 a.m. my phone beeped and there it was—The Romantic Text: “Happy Anniversary. I love you.” Awwwww. I didn’t feel too guilty until I woke up the next morning, DH sound asleep after his graveyard shift, and I found a card on my computer keyboard. “You are the love of my life,” he’d written. And my second thought (after a double “awwwwww”) was, “Dang, dang, dang, I KNEW I forgot something.”

Sad.

I’ll jump ahead here and tell you I did get a card (a very perfect card—seriously), and I managed to disguise the fact that I’d forgotten. But that isn’t the point. The point is – writing romance is becoming hazardous to my romance health. I don’t know if that’s true for any of you. Maybe writing romance is hazardous to some other aspect of your life. I wish I had a solution for myself – and for you. I don’t – this is just my newest epiphany. I’m thinking it’ll all come down to some great truth I already know in my heart-of-hearts like: learn to prioritize or practice self-discipline. Until I figure it out the only piece of advice I have is this: find someone who, after 37 years, has seen you in so many stages he couldn’t care less whether it’s you or he who opens the romance door. After all –I guess that’s the real definition of Happily Ever After.

How ‘bout you? Does writing throw any aspect of your life outta whack? If so, what do you do? If not, I’m coming to breathe the air at your house.

Liz Selvig

Friday, September 2, 2011

GO DEEP Release



When the first book in my Wild, Alaska series came out, quite a few people wanted to know if such a place existed. A town whose cure for cabin fever is a mid-winter festival called Wild Nights, during which “anything goes, nothing counts?” Where is it? they asked. Show me on the map.

Well, sad to say, Wild is a fictional town. Wild Nights does not exist, although it’s probably similar to Mardi Gras or any given night in Las Vegas. But my version of this concept has an extra punch. After a few months of winter, trapped inside by snowdrifts, your typical Alaska resident needs a break. If the cold doesn’t get to you, the darkness probably does. Where my husband and I live it gets dark at 4:30 in the dead of winter, and light again around 10:30.

So how does one deal with the cold, the dark, the endless snow? For some it might be a trip to Hawaii. For others, a weekend of letting off steam does the trick. That’s where Wild Nights comes in.

My Wild stories always involve a turning point in someone’s life. It’s not just a wild and crazy night—there’s an emotional element to the story as well. In GO DEEP, Beth and Gavin Thomason are a married couple who love each other, but are virtual strangers sexually speaking. Here’s the blurb, and if you’d like to read an excerpt you can click here.

Go Deep comes out on September 7 from Ellora's Cave. And here in Alaska, winter’s already breathing down our necks ...


Go Deep
Juniper Bell

A standalone sequel to Go Wild.

Beth is the shy, dreamy type. No one guesses at the wild sexual thoughts she hides behind that quiet façade. She doesn’t even share her secret longings with her husband.

Gavin loves his wife, but he’s tired of living in a marriage in which neither he nor Beth reveal their true desires. When Gavin sees Beth’s response to an erotic bondage photo in her framing shop, he jumps at the opportunity to break through her barriers.

He accepts an invitation to a showcase match for the amateur hockey team he coaches during Wild Nights, the infamous winter festival during which “anything goes, nothing counts.” But he’s opened a sensual Pandora’s box—Beth has some surprises of her own. When she meets Eagle, a free-spirited Wild resident, she knows he’s the perfect man to help enact her erotic fantasies. And once they go deep, there’s no going back.

Thanks for reading!

Juniper


Friday, August 26, 2011

"Leeky Friday"


Just Another Leeky Friday Morning

“What the stinky lint and abandoned food particles trapped in the deep dark recesses of the belly-button of a naky ogress trollop trying ta entice a group of poor, unsuspecting halflings into her lair, do ya make of the week I've had?
“She's impossible ta live with, I tell ya! I think she's finally lost her mind. What little she had left that is. Maxine Mansfield has been spending her days lately, stumbling from room to room mumbling in what can only be described as, an edit induced trance.
“Just keeps repeating over and over to herself and the bird who now keeps his head down and shivers at the back of his cage, 'I will not use the same word twice in the same chapter, let alone the same sentence. I will start to no longer be a passive writer. I started to begin my sentences and paragraphs with the words start, started, began, begin, as if to, but I now know better. I will, no longer treat comma's, as my personal, slaves. I will insert action into my dialogues, and dialogue into my action, and I will use the word insert, only once in my sex scenes. I will not be so sick of my hero and heroine that I hope they die horribly gruesome deaths, and I (Will) meet my deadline.'
“Gotta admit, I'm kinda scared for her, and I'm usually fearless. Is there perhaps a writers intervention hotline I can call?”
Leeky Shortz!

Thursday, August 18, 2011

Tharz Gold in Them Thar Hills... The Value of On-site Research


I completely understand the proverbial statement: you don’t have to jump off a bridge to know it will hurt when you hit the water. Like everyone, I’ve jumped off some very high bridges in my life knowing full well there would be consequences but just defiant enough to jump despite the warning. Those jumps were not futile attempts at self-inflicting pain. What I learned from those experiences is that you do sometime have to jump to be able to differentiate the quality of the experience. You can watch someone jump and say to yourself, “Holy crap, that’s gonna hurt.” But if you jump yourself, you gain an entirely different perspective on the way down! Your experience is totally encompassing beginning with the roots of understanding the process and consequences then radiating through your entire body, mind and soul. Assuming, of course, you survive, you carry the experience with you through life in cognitive memory, emotional memory and muscle memory. So what is this all leading to? An epiphiny of sorts.

Last year I had the opportunity to visit Ireland for 15 days. I presented a woman’s self defense class in the wild northern hills near Kylemore Abby, but the rest was pleasure, pure, unadulterated pleasure! I jumped... Now, I have to mention up front that traveling through Ireland was the first time I ever felt as if I walked (and drove) in a world in which I truly belonged. It was a world where almost everyone looked like me – fair skin, some freckles, green eyes and varying shades of auburn hair. Seeing the country and meeting the people stirred in me a creativity that I have not felt before and did not expect.
The stories just rolled out, splashing from my mind so rapidly that I would often pull to the side of the road and scribble some new idea or sketch a character. And trust me, pulling to the side of the road in Ireland is an adventure all its own! My mind was filled with thoughts of the wee folk, fairies, gnomes and strong women who fought for their families and people carrying on in the face of daunting odds. As I walked the chambers of Knowth and Dowth lightly touching the ancient carvings, visions of a civilization dead
some 4,000 years played with my senses and tickled my imagination. Climbing the tight circular staircases of dilapidated castles pressed upon me the reality of life in an age most people can’t even comprehend. Standing on the Cliffs of Mohr feeling the sea breeze beat against my face reddening my cheeks like those of the children who ran past chasing sea gulls that rode on the wind. They could have been children in my own family or from a family centuries ago. Spending time in a small crystal-cutting workshop on the Dingle peninsula with the hands of a master cutter wrapped around mine, I created a pattern in lead crystal that amazed us both. You can put those feelings into words without having been there and done it, but the richness these experiences have lent my writing is incalculable.

The first travel I have done solely for myself since I began writing in earnest, I now know that there is no substitute for taking that leap, for seeing something with your own eyes, feeling the real thing beneath your fingertips and literally soaking up the ambiance of being in the presence of a story come to life. There is just no alternative as enriching or stimulating. The stories that rolled from my mind drenched the pages of one travel journal, then another and a third was filled by the end of my journey. In 15 days! Sitting behind a computer researching facts, descriptions and characters on the Internet or in an encyclopedia can not compare to what I gained in those few days I drove the length and breadth of the Emerald Isle. Granted sitting behind a computer is cheaper and less dangerous considering the Irish drive on the left side of trails they call roads, but dodging tourist busses and lories is just one of the many adventures that make it all real. Real is important to an author and critical for our readers. Lying on a damp rug, bent over backwards kissing the Blarney Stone I came to the realization that, had I never been there I would not have known that the rock I was kissing used to be a drain for - yep, sewage and rainwater! Now that's a "holy crap!" moment. And there were many moments that ignited a passion within me. I found my renewed imagination and desire to write surprising and totally encompassing. It was a challenge to cram everything into my brain before it was time to leave.

So here is my humble recommendation for all writers: whatever the challenge is, do it. Whatever the food might be, eat it! I ate blood pudding and guess what? It’s a kind of sausage. I drank Guinness with bitters. It was horrible but I can definitely describe it now! I cut a pattern in crystal with my own hands on a wheel in a tiny village in western Ireland. I felt it. I carried it all the way home in my shoulder bag in a towel I swiped from a hotel! Okay… don’t steal it, but take away every experience you can, like it is a valuable jewel in your author’s crown. If you have an opportunity to stretch your wings and meet new people, conquer your American inhibitions and grab at the chance! Stretch your comfort level and go for it. What I do know is one thing leads to another and soon your feet walk a path you could never have imagined from a chair behind a computer. The jewels you gather will definitely twinkle in your manuscripts catching the eyes of those how venture past the covers.

If I could have met a real leprechan on my wanderings, I would have asked for this wish; that my sister writers seek out and treasure all of life’s experiences blown their way by the gales on cliff’s upon which they have the opportunity to stand. I did and now I have a burning desire not only to return to Ireland but to return to everywhere I have never yet been. I have a scalding desire to take those half a dozen stories that beg to be written bouncing about in my brain banging on my imagination out of me and put them on paper. But I will never again write from behind a computer. I think one of the wee folk lit a fire under my chair that makes me jump up and run for the hills where I not only find gold, but diamonds, and emeralds and crystal! More jewels that will eventually find their way into my manuscripts.
Happy spilunking.
Miriam Matthews.