Friday, April 15, 2011

My First RT Conference



Imagine traveling to a faraway land where the ladies dance in fairy wings. Men with chiseled cheekbones and rock-hard abs roam the hallways. Romance authors are treated like superstars. Everyone in this magical place shares your passion for the written word. Your idols are delighted to share naughty beverages with you until dawn. Everyone – well, a few people here and there – knows your name and is happy to see you.
Where is this paradise? Well, this year it was in Los Angeles, next year in Chicago, and it’s known throughout the land as the Romantic Times Booklovers Convention.
I’d never been before, and boy, did I get my little introverted mind blown.
I never thought RT would be… So. Much. Fun. It was like one long slumber party punctuated by costume balls and Catherine Coulter sightings. I’ll put romance fans up against any other type of fan as the most fun, most passionate, and all-around loveliest. How about the mother and daughter who flew in from England and filled their journals with author autographs? Or the fan who made corset-tutu vampire zombie costumes for her friends?

In case you’ve never been to RT, it’s all about the parties and the hotel bar. This year the themes were Bollywood, Steampunk, Vampire Zombies and the Venetian Masquerade Fairy Ball. Drink of choice: chocolate martini. The four-day conference is a bit of a blur, so I’ll just pick out some favorite moments.
Cutest moment: a tiny dog in fairy wings winning a prize at the costume ball.

Most scandalous moment: the Samhain author party getting shut down by hotel security (too much loud talking) and everyone getting escorted to the elevator.
Most touching moment. Harlequin author Olivia Gates thanking everyone who helped promote her new release while she was trapped in Egypt during the upheaval.
Most thrilling moment: Signing “Juniper Bell” for the first time, for a fan who’s read all my books and can’t wait for the next one.
Biggest fangirl moment: This one’s tough! There were so many amazing authors there. But meeting Sabrina Jeffries is up there. And breakfast with the astonishingly talented and unbelievably down-to-earth Darynda Jones.
And oh, the books … two huge boxes are in the mail on their way to Homer. I might have overdone it. Then again, when it comes to romance, can you ever really get enough?
Juniper Bell

Thursday, April 7, 2011

Gold Rush Dreams and Jaded Ladies

Lottie went to the diggings.
With Lottie we must be just.
If she didn’t shovel tailings,
Where’d she get her dust?

Chilkoot Pass
On August 6, 1898 the rumored arrival of a ship loaded with over two tons of gold and sixty-eight newly wealthy miners spread like fire through the Seattle area. Within hours sensible men had quit their jobs, dedicated men had left their families, and fortune hunters had spent their last dime on supplies, all with the intention of journeying into the harsh beauty of the Yukon to grab their piece of the pot.

But men were not the only adventurous souls to set their sights on the golden dream. Women of every social station shed their mundane routines and joined the swarm of men on the treacherous trip up north and the deadly thirty-three mile trek over the Chilkoot Pass and into Dawson City.

Restricted by Victorian morality, the Klondike Gold Rush was just the excuse these daring and sometimes desperate women needed to leave a life of security or poverty, and embrace an unknown and exciting future. Any hardships they would face were well worth the trouble when the possibility of wealth and independence was the payoff.

But as so often happens, the glimmering promise of gold dimmed once the women realized there were no respectable jobs to be found. Though it was legal to file a claim under a woman’s name, it was still considered improper. Mining was backbreaking work and unless paired with a man, the chore often proved too difficult.


If lucky, a woman might find a job as a laundress for $5 a day plus room and board, or a housekeeper for $12 a week plus room an board. But with the skyrocketing cost of supplies and rent, it became impossible for these hardy females to buy a simple meal.

What’s a girl to do? Go home? Many had spent their last dollar on their arduous journey and arrived in Dawson City broke and hungry. Suicide? Sadly, this was too often the path chosen by the desperate. With the gender rate reaching ten-thousand men to eight-hundred women, the choice became obvious. Like the devil holding the answer to their survival, the brothels, dancehalls, and saloons became a haven for the girls and women who were so far from home.

With companionship in short supply and gold dust overflowing, many of these working girls embraced their life and learned how to work the system. Dance hall or commission girls earned approximately $40 a week plus, 25% commission on any drinks sold, 50% on dances, and $7.50 on a pint of champagne. One commission girl reported that on her best night she earned $750 simply by talking to a lonely miner.

“The poor ginks just gotta spend it. They’re scared they’ll die before they get it out of the ground.”
                                                                                                                                          Diamond Tooth Gertie Lovejoy

Prostitutes earned $3 to every dollar earned by the dancehall girls. The clever strumpet used her own scale to weigh the gold dust she received in trade for her companionship. The standard four ounces of gold, or $64, for fifteen minutes often measured out more to the tune of eight ounce by the time she finished weighing the miner’s payment.

“A Dawson City girl did not need good looks. She needed stamina, a cold, calculating eye, and utter ruthlessness.”
Cy Martin

Not everybody like the bawdy women and their practices, but most accepted them as a necessary evil. Several of the showgirls in Dawson garnered quite a name for themselves and lived the life of their dreams


Klondike Kate, or Kathleen Rockwell as friends and family in Spokane, Washington knew her, grew up as a rebellious teenager, preferring an independent spirit over social rules and learning.
Klondike Kate

It’s rumored when Kate was denied entrance into Canada on her way to Alaska, she donned boys clothing and hopped onboard a boat heading to the Yukon. Once in Dawson City, Kate found her niche’ and became a local celebrity by performing her famed Flame Dance. With elegant and graceful moves, Kate managed to keep two-hundred yards of chiffon airborne for the duration of her dance. In her first year in the Klondike, Kate earned thirty-thousand dollars and secured a place for herself among the citizens of Dawson City.

Diamond Tooth Gertie Lovejoy headlined at the Palace Grand Theater during her stint in Dawson. Though she ended up marrying a respectable lawyer who had been her client, polite society never accepted Gertie as one of them. Perhaps the diamond jammed between her front teeth had something to do with the social snub.

Not far behind the sinner travels the saint. Church-going women soon arrived on the scene, rolled up their sleeves, and tried to help out or cast out the soiled doves. But the roots of prostitution and the need of the miners had burrowed too deep to eradicate the practice completely. The Reformists were somewhat successful in relocating the red-light district to the edge of town and building a tall green fence around the area. However, their efforts could never fully purge the city of sin.

“Of all the predatory, gold digging, disease-eaten, crooked female devils this side of Hell, the worst were in the Klondike in the early days.”
                                                                                                        E.C. Trewlawney-Ansell
Six Prositutes
As the discovery of gold in Fairbanks drew more miners, the prostitutes followed, as did the Reformists. Thomas Marquam, a brilliant criminal attorney quickly made a name for himself by defending the prostitutes, gamblers, and bar owners in the area. He also became the editor of the Fairbanks Times and was later elected as the mayor.

After the death of his wife, Marquam sought solace in the red-light district and namely in the arms of Ray Alderman. His affair with the prostitute was well known throughout Fairbanks but didn’t cause him problems until Fairbanks became the focus of a visit from the president of the United States, Warren G. Harding.

A delegation of irate matrons confronted Marquam and demanded he end the tawdry relationship with that woman. They argued his association with her would make the citizens of Fairbanks a laughing stock. Taking their dispute to heart, Marquam asked Ray Alderman to be his wife and she accepted. Much to the meddling harpies’ consternation, Ms. Alderman not only became the first lady of Fairbanks, but also the first lady in the reception party for President Warren G. Hardy. One must wonder if Thomas Marquam thought, “Take that you old battleaxes.”

Though landing a husband was like shooting fish in a barrel, many of the women decided they liked the independent life prostitution afforded them. Gussie Lamore, a nineteen year old prostitute, turned down a miner by the name of Bill Gates who offered to pay her her weight in gold if she married him.

She replied, “Independence is a good deal too.”

Miss Violet Raymond was the undisputed belle of the camp. Once the reining queen of burlesque in Juneau, the owner of The Gold Hill Hotel paid an enormous amount for her to move to Dawson City and perform.

“Her admirers numbered by the score,” reported gold king, Antone Stander, Violet’s future husband. To woo her away from the limelight, Stander bought every diamond in the camp and presented them to Miss Violet in a necklace that hung nearly to her knees. He also gifted her with $20,000 in gold dust, a lard bucket full of odd-shaped gold nuggets, and offered her $1000 a month allowance if she married him.

I make good money—but not that good,” replied Violet.

They were married a short time later.

Klondike Kate is the only good-time girl to receive any recognition for her part in the Yukon Gold Rush. In 1931, wearing the $1500 Parisian dress she wore during her glory days in Dawson City, Kate was honored by over a thousand aging pioneers.

Top of Chilkoot Pass
Many of the Gold Rush sirens and wealthy prospectors found joy in each others arms for short span of time, but few were able to keep the flames of passion burning once they left the wild atmosphere of the mining camps. Greed and suspicion replaced all-consuming passion and the very gold that brought the lovers together, soon tore them apart. Divorce, swindles, gambling, and even murder litter the pages of history for these unfortunate gold rush marriages.

Praying the north still held the key to happiness, many penniless Gold Rush veterans traveled back to Alaska in hopes of regaining their fortune. Few ever achieved the measure of success they’d previously experienced, but it wasn’t for lack of trying.

Like the thousands of men who journeyed into the unknown to find their fortunes, these spirited females of the Klondike fought and slaved for their part of the dream. Gold Rush history would not be nearly so colorful or interesting without these jaded ladies.

Friday, April 1, 2011

Lobster


We have a tradition in our family in which the birthday boy or girl gets to choose anything they want me to make for a birthday dinner. My son almost always wants king crab, which isn’t too much of a problem since we live in Alaska and those sweet spiders (yes, they are arthropods, just like spiders!) are relatively inexpensive compared to, say, lobster. Of course, this year, my son decided he wanted to try lobster. So with a groan, I forked out the money for lobster tails.

I’ve never cooked lobster before, so I got online to find instructions. Ruining them by cooking them improperly would be unacceptable. Apparently, you can cook lobster a lot of different ways, so I opted for baking, since the tails would curl if I steamed them. I also discovered that with live lobsters, to keep them from curling you can submerse them in beer to get them to “relax” before you cook them! That experiment might have almost been worth the extra money for live lobsters.

As I was preparing the baking sheet, my daughter remarked, “Mom, I thought lobsters were red.” And I realized these weren’t. Why not? Was there something wrong with them?

Again, a trip to the computer. (What did we do in the days before the Internet?) After a bit of searching, and a side trek where I learned why fish smell “fishy” and how lemon juice works to chemically reduce the odor, I learned that heat denatures all the color proteins in the lobster shell except for the red one. So after cooking, all that is left is the stable, red pigment that was there all along. Interesting topic while we ate dinner.

A guest commented on how she had learned more science at that dinner than she had in a long time, and I realized – well, I realized maybe I’m weird. But I’ve always had an inquisitive mind. It’s why I write science fiction. My mind is always asking these kinds of questions. No matter what else I am doing. I love to know why things work the way they do, particularly biological systems. Writing sci-fi is a joy for me, because I get to research “why,” and I get to hypothesize “what if.”

I wonder if I could find a way to put lobster people in my next manuscript …

Tam Linsey

In the future, survival carries a steep price ...
www.tamlinsey.com

Friday, March 25, 2011

Factual Fiction or Fictionalized Facts

When does fact turn into fiction? When an author writes a novel, of course.

One of the things that surprised me when I was looking for edits on the novel I wrote, was the number of comments about how real things needed to be. Okay, ‘things’ is a pretty generic term, so what do I mean. When describing a view from a recognizable restaurant, I had my proof readers putting themselves in that restaurant, looking out the windows and envisioning what was really there as opposed to what I described. They did this on their own. And even though they were reading a work of fiction, they still expected to be surrounded by reality and that reality needed to be accurate. If your novel includes scene descriptions in a certain area, let’s pick Alaska as an example, your scene has to be based in reality. You can’t put a maple tree in someone’s backyard or a blue jay in a birch tree when writing about Alaska. Neither one of those would occur, for real.

The amount of realism in a work of fiction doesn’t stop at contemporary or historical romances, either. Even science fiction and fantasy have certain realities that they must take into consideration. While listening to other people talk about their writing challenges you learn that a vampire will always need blood, because that is part of what defines a vampire. A gnome will not have fairy-like characteristics. That just wouldn’t be very gnom-a-nomic. And I’ve never seen a tree grow from the sky down.

This is one of those learning experiences that being a part of a writer’s group helped me understand, that I’m grateful for, and that I’d like to share with you. So, keep the facts in fiction or your readers may not be able to see the real deal.


Sandy Shacklett

Saturday, March 12, 2011

Alaska Historical Fiction


Alaska Historical Fiction by Lynn Lovegreen



I write historical fiction set in Alaska. There are so many good stories here that it is easy to come up with ideas. The hard part is deciding which story to work on next.



I am working on a Gold Rush series. I chose that period because there are so many great things that happened during that era and lots of dramatic events to weave into plots. I usually come up with a setting first (ie. Skagway in 1898), then research to find important events and details that would be interesting to readers. Once I know enough, then I start daydreaming about how a young lady might end up in that place and what might happen to her. For example, with the Skagway novel, I knew I wanted the infamous con man Soapy Smith to be featured, and came up with real events that my heroine could witness to anchor that part of the plot. And with a high ratio of men to women, there’s lots of opportunity of romance too. My heroines always end up meeting their special someones on their Alaska adventures!



Once I have a basic plot line, then I write a draft, doing research to fill in gaps as needed. Some people ask, “Isn’t it hard to do all that research?” Not for me--I enjoy it. There are lots of great books on Alaska history, plus historic photographs and visits to sites that give you the little details that can make a place come alive for the reader. So for me, the research is part of the fun of writing.




I’ve got three Gold Rush books so far: set in 1898 Skagway, 1900 Nome, and 1906 Fairbanks. My next idea is early-1900s Kantishna, in modern-day Denali National Park. If I get tired of the Gold Rush one day, there are lots of other dramatic time periods in Alaska. It would be great to do a series about Russian America, when we were Russian territory. And so many interesting things took place during World War II here. Alaska is perfect for historical fiction. I feel lucky to live in this fascinating place.

Sunday, March 6, 2011

FLAWED AND FANTASTIC

March 5th marks the beginning of the Iditarod. “The Last Great Race on Earth” pits man and beast in a race covering 1,150 miles over some of the most dangerous, intimating wilderness in the world. Equipped with only a sled and a loyal team of dogs, the competitors are tested against jagged mountain ranges, frozen rivers and lakes, thick forests, arctic deserts, and wind-whipped coastline. If the terrain wasn’t challenging enough, this all happens during brutal temperatures below zero, blinding blizzards, and long arctic nights.

It takes character to compete in such a grueling, hostile race. This year’s competitors once again include Lance Mackey who is going for his fifth consecutive win after overcoming drug and alcohol addictions plus beating throat cancer.

Talk about character. Lance Mackey is adventurous, ambitious, spirited, and flawed.




Let me tell you about my grandmother. She was a woman with no equal. A wife and mother of four, published author, English teacher, artist, woodcarver, photographer, fisherman, sled dog breeder, and musher. Besides being a wife and mother, all the other accomplishments where achieved after she had turned forty. Not only was she creative, daring, and tenacious, she sucked at cooking, refused to clean, and routinely had strawberry ice cream for dinner and pie for breakfast. My grandfather worshipped her.


My grandmother in her sixties.



When I begin crafting a character, I develop the flaws first. Flaws are interesting. I say this as a writer not as a wife. Sometimes the flaw is big enough that it becomes what the character needs to overcome. Lance Mackey had to conquer his drug addictions in order to become an Iditarod champion. Now my grandmother being addicted to strawberry ice cream is fun. I can play with that and have. In one of my books, my hero is a health nut and my heroine is a junk food fan. When my villain poisons a salad, these flaws save her life, but incapacitate my hero’s.

My husband has flaws that can frustrate the hell out of me, and I know that I have a few that drive him insane. Being a writer gives me the power to exploit his flaws or finally solve those imperfections. At least, fictionally.

I love reading about strong, bigger than life characters, even gods and demons with their other worldly powers, but it’s the flaws that make me truly care about them.

If you’re a writer, what flaws have you integrated into your characters that make them fascinating? As a reader, what are some of the flaws you enjoy in characters?

Tiffinie Helmer

Sunday, February 27, 2011

Brain Cravings

I'm thinking a lot about why people become interested in things, not just novels but also food, music, and games. Children who have autism tend to be come rigid in their interests, playing the same game or eating the same foods over and over again. As a teacher's assistant working with such children, I often struggle to get one kid to name the letters instead of lining them up by color, or to get another to recognize whole words instead of just repeating the names of letters. Hopefully these kids will someday enjoy reading whole stories.

And then I go home and write fiction for adults. I'm facing the same sort of problem. Some readers insist on the same story and type of story told repeatedly. I work at enticing readers into something new.

Here is what I think is happening. Brains are prediction machines, having evolved over time to analyze patterns and predict what will happen next. They are driven to find out what happens next. Brains which are good at predicting pass on the ability, producing babies with similar brains.

This prediction isn't conscious analysis, but an instinctive drive. Our brains crave patterns and prediction of patterns the same way we crave food, or sleep, or affection. If these patterns aren't available, we create them. Brains with neurological problems blocking their development go after whatever patterns are accessible. The results are often amazing. People missing huge parts of their brains can still adapt and function well. I stand in awe of the brain, particularly the brain of a child, and what it can do.

I believe that a baby playing with a rattle and an adult reading a novel are both engaged in pattern prediction and for the same reasons; brains crave a combination of expectation and surprise.

The baby shaking the rattle doesn't know exactly what will happen, but she has an idea of what will happen and the result delights her. As she goes through the sequence of muscle movement, visual effect, and sound, her brain adapts, rewiring itself to better-coordinated hearing, movement, and vision. It's fun and feels good because it's what the brain needs. When the child gets older, she loses interest in rattles or her interest in them changes. She might move on to exploring rhythm. At this time, her brain has already made the changes and no longer craves the simple pattern of rattle-shaking.

Young brains crave easily predicted patterns. Children are usually picky eaters, liking foods with simple textures and flavors. A baby may like basic rice-cereal but, as a toddler, moves on to various dry cereals or to plain pasta. Children are generally interested in basic flavors--sweet or salty--and like predictable shapes and textures. Good luck trying to convince a toddler that a broken cheese-flavored cracker tastes the same as a whole cheese-flavored cracker.

Children generally dislike complex textures such the texture of broccoli. The buds on broccoli make for texture which is difficult for a developing brain to decode. The texture doesn't make sense.

As a child I preferred my spaghetti sauce to be served separately from my noodles, "next to" not "on top of." The meat as it browned smelled delicious, but when the ingredients were put together, I couldn't taste either the meat or the noodles. Hash still tastes this way to me. I also pulled appart sandwiches, eating baloney separate from bread. I'd lick the frosting off cupcakes before eating the cake. These preparations simplify the flavors of food. Now we call this type of preparation food "deconstruction." Apparently it's the hot new trend in cooking, but children have done it since time immemorial.

As an adult I detest plain noodles. They're just too boring. I don't eat cake unless it's got something unusual-- fresh fruit, mocha filling--or I'm hungry and it's the only food available. I want something interesting on top of my noodles maybe some anchovies or some capers. Definitely some garlic. Maybe fresh garlic sautéed in olive oil until it just starts to caramelize. My brain already knows the taste of noodles. There is nothing else to be learned from eating bland pasta. It wants combinations of flavors and textures: bitter and sweet with smooth. Salty and sour with crunchy.

For the brain to make sense of sensations--hmm similar words--it has to encounter the same pattern repeatedly. The brain will seek to repeat the pattern until the activity becomes boring. How often it needs to encounter a pattern varies from individual to individual. A person who has autism needs to encounter the same pattern many more times than does a person with a typical brain. But whose brain is typical anyway?

I only read one Nancy Drew mystery before I became bored with it. Yet I'm still fascinated by Rudyard Kipling's Elephant's Child. The line "The great gray-green greasy Limpopo River all set about with fever-trees," still tastes good to my brain.

In writing novels I'm attempting to feed the brain a really tasty pattern. I've got to get the mix between expectation and surprise just right. If it's too unusual the story tastes like hash. If it's too predictable it's boring. The same mix won't work for every reader because of variation in individual brains.

Enjoyment of food and of novels isn't entirely alike. Food must feed both the body and the brain. If nothing else is available I'll eat plain noodles, eat them without complaining. But if a novel fails to fulfill the cravings of my brain, I will stop reading.

As a writer, I have a dilemma. Should I limit my writing to simple easily understandable patterns, the equivalent of plain noodles, or should I write patterns which take more sophistication to understand? The blockbuster model of publishing says write plain noodles, make the story understandable to nearly everyone. But that leaves an entire range of readers starving. Simplistic writing isn't adequate to their needs. It's not adequate for my needs as a writer.

I believe if I trying to write plain noodles I should do it with pride, but when I'm driven to write pasta with puttanesca sauce I shouldn't forego the anchovies and capers.

There are those who insist that fiction must follow similar restrictive and arbitrary rules, similar to saying spaghetti can only have marinara sauce. These rules are basically codified personal taste, similar to an autistic toddler announcing that broccoli is yucky and throwing it across the room. Many adults also dislike broccoli, but it's not the fault of the farmer who raised the broccoli, the cook who prepared it, or even of Mother Nature who packed it with vitamins, nutrition, fiber, color, and all that. Broccoli isn't inherently yucky. It's a matter of personal taste, meaning it’s a matter if neurological development.

What can I say to them when they gag on my offering? Yes, people do gag when they expect one flavor and get another. This doesn't indicate that, for example, puttanesca sauce is poorly made. It merely has been tasted by a diner has never encountered red spaghetti sauce other than marinara, and that diner's brain isn't yet ready for that pattern of sensation.