Thursday, August 5, 2010

Cinderella Stew

This is a sorta-kinda-almost Cinderella story. Mine. Only it’s a stew-like mishmash because there’s no evil stepmother, or ugly stepsisters, or a King and Queen trying to marry off their Prince (hmmm, yummy plot, though). In the story I am rescued from scrubbing floors and doing laundry—but since I’m not actually forced to do those things normally, it’s not a big plot point. No pumpkins turn into carriages (although I turn into a pumpkin at midnight with enough Sex on the Beach. Hey now, clean up those minds—it’s just a drink), and no mice turn into horses, but Nashville does turn into the home of The Mouse.


My story does have a grand ball, but there are eight fairy godmothers (five writing peers and three editors who will forever be faceless and nameless). There’s no glass slipper—but there is a pretty golden necklace.


There’s also a shameless back story—forgive me for not weaving it in, but this isn’t a saleable manuscript anyway. In November I entered a contest—a fairly big one called the Golden Heart. In March I got a call telling me I was a finalist. I hadn’t been planning to go to the fancy ball where they celebrate the GH even though everyone else in town was going. But after March I knew I had to join them.


The ball began with a week of amazing preparations and events. If you’ve never been to an RWA convention (the official name of The Ball) it is an occasion of amazing energy and excitement. Over the course of several days, two thousand writers converge and start to mingle, network and meet new friends. It sounds cliché but—it’s dead easy to make friends at an RWA convention. All you need to do is lift your eyes and say ‘hello,’ in the elevator, at the registration desk, at a bar, or around a fountain. I walked up to one woman out of the blue and said, “I love your name, it’s perfect for a book.” We struck up a great conversation, exchanged cards and I hope to contact her when I get to contacting people (which is a completely different subject).


Aside from random writers, there are also celebrities. I saw, to name drop a few: Cherry Adair, Susan Anderson, Christina Dodd, Eloisa James, Kristan Higgins, Nora Roberts, Debbie Macomber, Jayne Ann Krentz … Mind you, these were mostly fangirl moments—Susan, Christina and Eloisa aren’t my new BFFs—but they are our Michael Jordans and seeing them, especially to say ‘hi,’ is awfully cool.


Workshops abound at the RWA conference, as do parties. If you want to know about a certain publishing house—there’s a spotlight for that. If you want to know about women of faith writing in the secular market—there’s a workshop for that. If you want to know how to make your urban fantasy more attractive to agents—there’s a speaker for that. And, if you belong to any group – there’s probably a party for that. The Beau Monde ball for regency writers; the Steam Punk ball for fantasy, futuristic & paranormal writers; the Harlequin pajama party for category lovers; Death by Chocolate for Kiss of Death members. Join a group—have a party!


My partying centered around that Golden Heart contest final. Sixty-six talented writers finaled in ten categories and we all joined an online chapter called The Golden Network exclusively for GH finalists. The group holds its annual meeting and “boot out” ceremony, where they kick out all members who’ve published and make them alumni. They also held a workshop featuring an exclusive editor/agent panel. RWA held an official Rita/Golden Heart reception full of great desserts and a chance to really meet all the finalists and mingle with roving editors and agents.


On that note, I think the most important skill I honed this year was how to schmooze an editor or agent. There are funny stories (my best being the agent who approached me, asked for my pitch, excused herself in the middle of it with an apology, promised to come back, came back but didn’t ask for any more of the pitch. Either the Mickey ears I forgot I was wearing were a REALLY bad idea—or she was friends with an ugly stepsister I don’t know about). Anyway, let me share my personal list of opening lines. (Look at this as a really bad bar scene):

  • I loved what you said in your panel discussion
  • I love your agency’s website
  • I love your philosophy of the publishing industry
  • We have a mutual friend
  • How do you do this all day? I’m very impressed
  • How is your own writing coming?
  • It’s a pleasure to meet you
  • I put a big star by your name in my notebook after the panel discussion
  • May I look up your guidelines on your website?
  • Thanks for the rejection


I honestly used every one of those lines. And, BTW, the ‘thanks for the rejection’ actually got me a request for my Alaska series. You have to be shameless I guess.


Finally, the week culminated with The Actual Ball, aka the Rita/Golden Heart Award Ceremony. It’s not a secret that I won my category, and I’m still in shock. But just for the record, this event is a must-do if you go to conference, whether you’re up for an award or not. Wanna see RWA’s version of Oscar night? This is it.

To end my Cinderella Stew story, I’d like to share what it was like to actually win the Golden Heart. All kidding and silliness aside, this is one of the biggest honors of my life so far and, darn it, it was fun. I remember most of it—but it’s kind of like a slideshow in my brain that goes like this:


*People asking all day if I’m getting nervous and me saying unequivocally ‘no.’ *Sitting at the banquet table with a note card, writing a list of people I should thank should the unbelievable happen. *Deciding writing any kind of note is a jinx. *Tucking the half-finished list away in my purse. *Not caring at all if I won because it’s an honor to be a finalist. *Deciding, after seven winners are announced that, no, I really, really want one of those necklaces. *Sitting stock still except for my ping-ponging heart and my knuckles bracing white against my teeth while they announce my category’s finalists. *A crazy, far-away voice saying, “And the Golden Heart goes to --- “Songbird” by Lizbluth blub blulb mumble mumble …..” *Finding the unfinished list in my purse. *My mouth hanging open as I stand up and walk to the stage. *A very cute cameraman grinning at me as he points the lens at my face. *Holding up my dress hem and not tripping on the stage steps. *Catching a glimpse of myself on the Jumbotron—totally surreal. *Realizing they were right at the rehearsal when they said we wouldn’t be able to see the audience. *Saying “Wow.” *Seeing exactly one face in the middle of the front row: Vicki Lewis Thompson—her gorgeous white-blonde hair glowing like a guardian angel’s. *Realizing that with her beaming at me, I had nothing to be nervous about.


Applause and a huge hug from my presenter, Roxanne St. Clair surrounded me—it felt like a hug from a big sister! A small but mighty ‘whoop’ from Jenny, Boone and Lizzie when I said, “Alaskan sisters” carried all across the ballroom. And then I had the necklace in my hand and was floating back to my table. A constantly streaming prayer in my head went, “ThankyouThankyouThankyouThankyou…” In fact, that’s still going on.


Okay—enough already. Cinderella ended up with a way-better equivalent to the glass slipper. She got home well after midnight without the gown turning into rags, and Prince Charming was waiting at home—but he was waiting. And when he hugged her a day later he said, “Well, I guess going to THAT party was worth it.”


Oh yeah, it was. And while my experience this year happened to be golden—don’t wait for something like that to send you to the RWA Ball. Friendships, schmoozing, classes and parties can turn anyone’s trip into Cinderella stew. And that’s a mighty fine-tasting treat!!


Happy Fairy Tales Everyone!

Liz

Friday, July 23, 2010

You're Live in Three, Two, One ...

As I write this, my hands are shaking, my heart is flopping like a flounder, and I can’t catch my breath. I just did something I’ve never done before. I did a Live Radio Interview.


Gaaaack!!

See, I’m one of those “introverts” who panics when I’m in the spotlight. Sitting at the computer and writing comes naturally. Promoting my book online is a challenge. Actually talking to someone on the radio about it … Holy Freakout, Batman!

But I have a book coming out on July 28, and Tom Randell of Radio Kenai, KWHQ 100.1 FM, contacted me and offered the interview, so how could I say no? I agreed, and then fretted for several weeks as the appointed day came closer. I write erotic romance …. His audience ranges from age 2 to 90. Could I keep the content appropriate? How can I talk about my books without shocking anyone? Will Alaskans drive me from the state once the word is out? (Okay, I exaggerate, but hey, I’m a writer.) By the time of the interview, I’d worked myself to the edge of a nervous breakdown.

(Did I mention I’m a writer, with a tendency to exaggerate?)

I watched the minutes tick away, then there was Tom on the phone, telling me a song was playing and I’d be up in one minute and fifty-two seconds. And then there I was, on the air. Juniper Bell being introduced to the audience of one of the top radio hosts in the state. This is him. Not too scary, right?

And that’s when I realized I’d forgotten something. Tom Randell is a professional. He knows how to make the conversation flow, how to move smoothly to a new topic, how to make you sound good (or better, anyway). He’d been to my website, he knew about my books, he knew about my upcoming release. Before I knew it we were chatting about digital books, the rise of e-readers, the popularity of ménage stories, and other fascinating topics. I had to keep telling myself to slow down because I tend to talk too fast when I’m under pressure. The interview went so fast and painlessly. And I learned a lot in that short span of time.

1. Slow down.
2. Smile, even though they can’t see you. It helps you to sound positive and fun.
3. If you don’t feel confident, fake it.
4. Keep the audience in mind. Looking back, I wish I hadn’t said anything bad about the cool weather we’re having here on the Kenai peninsula. The listeners are Alaskans, so don’t knock Alaska.
5. Have my “elevator pitch” ready! As silly as it sounds, I hadn’t rehearsed my one or two line pitch for My Three Lords. This was a very good reminder as I get ready for the RWA conference in Orlando.
6. Relax and enjoy.

So there you have it. I survived my first radio interview, thanks to Tom Randell. He even invited me back for my next book release. Now, back to my regularly scheduled programming.

My Three Lords will be released on July 28 from Ellora's Cave Publishing. You can read the blurb and an excerpt at my website.

Juniper Bell

Thursday, July 15, 2010

Another Conference

Last year I went to my first conference. The amount of preparation for that trip was astounding and let's face it, a little neurotic. With RWA Nationals only a week and a half away, I've noticed that many preparations I thought important for my last conference, have fallen by the way side. I've yet to cook and freeze a single meal for my family. They won't starve without me here to feed them. They're made from hearty stock and won't go hungry, even if they have to kill dinner with their bare hands. The need to scrub the house from top to bottom is also gone. I've embraced the fact that my husband is a much better housekeeper than me. He's also a lot better at cracking the whip and making the kids tote their load. So housekeeping? Not an issue.

Unfortunately my self-sabotaging ways and overwhelming need to volunteer has landed me with a whole new list of 'To Dos'. The biggest one is my offer to help with decorating for the FFnP Gathering. This was a fairly easy task when the conference was in Nashville. The Gathering was slated to be held on a steamboat. Voila, decorating already done. Now it's to be held in a large rectangular ballroom. How does one person transform a large ballroom into a a steampunk ball? I'll let you know when I figure it out.

The bottom line is that most of what I need, I'll have to tote with me. I'm the kind of person that likes to travel light, so an extra bag or tote is cramping my style. I have promised myself not to bring a single balloon, feather, or piece of confetti back home, but I have a sneaking suspicion my chapter members hope I fill all that empty space with books for my return trip.

I'm sure things will work out for the best, but like my last conference, this trip has already taught me several valuable lessons.

1. Keep my mouth shut
2. Just say no
3. If I feel the need to volunteer give my services to something that doesn't require heavy lifting.

Who knows, after a few more conferences, I may have this routine down to a fine art.

Saturday, July 3, 2010

Horses in Alaska?


It always amazes me to hear how surprised people are when they learn how many horses and horse activities we have in Alaska. And these aren't just people from the Lower 48, the people right here in Alaska are also unaware of the horse population. The types and sizes of horses vary in Alaska, from the 32" high miniature horse to the 17 hand (68") Clydesdale, and all kinds and sizes in between.
Some people might question what you would want with a miniature horse only to find out that they make excellent companions, are easy to care for and can pull a full grown adult in a cart with ease. The Clydesdale on the other hand takes much more effort and cost to feed and clean up after, but their calm and willing disposition make them suitable for riding or pulling heavier loads or plow fields.
Quarter horses and Arabians are two of the most popular breeds in Alaska, but they are greatly out-numbered by the grade, or mixed breed horses. Each having their own place in the horse world depending on what their human counterpart would like to do with them.
Trail riding through the rugged Alaska terrain can be the challenge of choice, but horse shows featuring dressage, hunter/jumpers, barrel racing, western and English riding are held throughout the state with the Kenai Peninsula being the hot spot for rodeos. Most events are held between the months of May through September, but riding goes on year round.

There are at least 22 indoor riding arenas is Alaska, but the majority of folks ride outdoors. While the rule of thumb for riding temperatures vary slightly, most will agree that if it is under 10 degrees it's best not to take your horse out. They fare in the cold very well, but with the exertion it takes to carry extra weight their respiration rate would increase and you have to be concerned about their lungs.
Growing up in Anchorage with a horse gave me all kinds of activities to do, keeping me out of trouble. I can assure you that without my horse I would have been a high risk teen. It was more than just keeping busy, it was having the companionship of a non-judgemental, warm creature. You could confide in your horse and know that your secret would be safe. You could experience the joy of traveling at a pace that only riding a four legged creature could provide. The beauty and silence of riding through trails could be exciting or calming depending on where you were and the speed you traveled at.
Having control over an animal that weighs half a ton can give you confidence, and who couldn't use a little more of that. Hugging a miniature horse can take your stress away in a heart beat. Horses and humans came together many years ago. Today they remain as co-workers, friends and companions even here in Alaska.

--Sandy Shacklett

Saturday, June 19, 2010

Sea Otters and Storytelling


Like Lizzie said in the last blog, it’s the time of year for Alaskanwriting conferences! I just returned from the Kachemak Bay Writers’Conference, located in Homer, Alaska. There were four days ofspeakers, workshops, readings, and social events. The faculty was toobig to mention all by name, but the Alaskan and Outside speakers wereall top-notch presenters, and I loved hearing them read their own workat the readings.
This is one of my favorite conferences because of the camaraderie, therapport among the participants and faculty. Even if this is your firstconference and/or first year writing, you are welcome and part of thegroup. Everyone has opportunities to chat with the authors. There isnothing more valuable than discussing showing versus telling withKaren Joy Fowler (You need both.) or point of view with Joni Sensel(There can be more than one.).
Add the unique ambiance of Homer,excellent seafood, and the phenomenal scenery of Kachemak Bay, and youhave a world-class weekend. The only trouble I had was trying to focuson the speakers when I could watch eagles and sea otters through thewindow! Talk about inspiration for writing! I was glad to share it with my AKRWA colleagues Lizzie Newell andDeNise Woodbury, and I invite everybody to consider going next year!See the conference website at http://writersconference.homer.alaska.edu/.
Lynn Lovegreen

Saturday, June 12, 2010

North Woods Writers Symposium


It's nearly summer solstice, time for writers' workshops in Alaska. I'm just back from the North Words Writers Symposium in Skagway. If you weren't there you missed out on a wonderful opportunity, although I had my doubts when I flew to Juneau then took the ferry to Skagway. Registration procedures for the conference had been less than smooth. In fact on-line registration didn't work at all, so only the truly committed mailed in their registration. As a result, only thirty people attended and less than half were participants. Never before have I been at a conference where faculty was in the majority and participants were treated like VIPs. I sat next to some of the top writers in the state and spoke with them personally about their views on writing. Faculty attendees included: Buckwheat Donahue, Dana Stabenow, Jeff Brady, Elisabeth Dabney, Peggy Shumaker and Joe Usibelli, Kaylene Johnson, Sherry Simpson, Nita Nettleton, Dave Hunsaker, Tim Woody, Kim Heacox, Dan Henry, and Andromeda Romano-Lax.


I had the opportunity to hear Dana Stabanow giving Nick Jans advice. I went hiking with Tim Woody, Dan Henry, and Andromeda Ramono-Lax. In the excitement, I tended to forget who was faculty and who were participants. I particularly enjoyed Tresham Gregg who does puppet theatre out of Haines, Lisa Weissler who writes dystopian science fiction, Dan Davidson an editor from Dawson, and Art Chance an expert in history from Juneau.

The town and people of Skagway went out of their way to make us feel welcome. We had excellent meals at The Stowaway Café, the Red Onion, and Poppies. Poppies is located in a beautifully maintained garden with a model train running through it.


The conference included a train excursion aboard The White Pass & Yukon Route Railway. This narrow gauge railroad wound through steep gorges and over breath taking drops above raging turquoise rivers. I was torn between the stunning views of peaks, arêtes, and glacial tarns, and the writers discussing journalism, memoire writing, Alaska history, and fiction.

I hate to write up a blog entry that points how the rest of you missed out. Nah nah nana nah nah. But not all is lost. Next year, The North Words Writers Symposium will be in Dawson. I'm going. Either driving or flying to Dawson should be as interesting as visiting Skagway.

See you there. Lizzie Newell

Sunday, June 6, 2010

Gone Fishing



It’s June and that means I’m getting ready to head to Alaska to commercial fish on the Bering Sea. You’re probably wondering what this has to do with writing. You wouldn’t think the two had anything in common, but surprisingly they do.

My family fishes for sockeye salmon—red salmon for some of you that aren’t up on the lingo. We also fish with gill nets, not a pole. Poles are for sport fishermen on vacation. This is commercial fishing. Serious fishing where you cast a net into the ocean that is 200 fathoms and hopefully haul in 5,000 to 6,000 pounds (yes I said pounds) of salmon per net. Sockeye salmon weigh on average 8 to 10 pounds each.

Once in a while you catch something bigger. Like a king salmon. King salmon don’t fit in the small webbing of our net. They are simply too big. The only way we catch them is to snag them. Usually their mouth is snagged on the net. One hard pull and they could free themselves and often do. But sometimes you get one snagged tight enough that it stays caught until you’re able to pull it into your boat. We love these surprises and take up bets on how much they weigh. The above picture is of a king caught in just this manner and when weighed came in around forty pounds.

The big six in New York are the king salmons of the publishing industry. They are elusive and hard to catch. Much like a king. You cast your net—send out queries—hoping to snag a big fishes’ attention. When you do get that request, you’ve only got them by a tooth. One upset and they’re swimming away.

So what do you do?

First, you must cast your net wide and often. You quit fishing and you won’t get published. Ever. Second, you must have your manuscript in the best condition to send them and snag them so tight that you can pull them into your boat.

There’s a saying in fishing: “It’s called fishing, not catching.” But in order to catch, you have to fish.

Here’s to catching that big one. See you in August!

Tiffinie Helmer
Writer of Award-Winning Alaskan Romantic Thrillers.

www.TiffinieHelmer.com